small sweet images


Anonymous asks: omg u should dye ur whole head pink or purple tht looks awesome

i so should bro honestly

me rn

me rn

immortaladonis:

endocrines:

endocrines:

Why does she have so many products



omg nat ur in my feed endocrinez

ahahahahahahahhahahaha

immortaladonis:

endocrines:

endocrines:

Why does she have so many products

omg nat ur in my feed endocrinez

ahahahahahahahhahahaha

paintingthrall16:

Rita Sarpong

paintingthrall16:

Rita Sarpong

(Source: ritasaypony)

my bangs r kinda pink now

my bangs r kinda pink now

20aliens:

Mexican Wall 1999by Adriana Varejao

20aliens:

Mexican Wall 1999
by Adriana Varejao

kevinlucbert:

Voyager
21 x 29,7cm, ink on paper, Kevin Lucbert, 2014.

kevinlucbert:

Voyager

21 x 29,7cm, ink on paper, Kevin Lucbert, 2014.

(Source: titleknown)

superseventies:

Kitchen design by architect Wendell Lovett, 1979.

superseventies:

Kitchen design by architect Wendell Lovett, 1979.

(Source: drydockshop.com)


Scanned from Graphis magazine article titled “Ritual Wall and Floor Decoration in India” by Oppi Untracht (*)
Scanned from Graphis magazine article titled “Ritual Wall and Floor Decoration in India” by Oppi Untracht (*)

(Source: flosvitae)

dekonstruktivisme:

Dries Van Noten spring—summer 1999.
It is unusual for a designer to be famed for his men’s and women’s collections alike, but Dries Van Noten is just that. His designs take all types of men and women into account. Be they tall or short, plump or slender, they will find something to their liking in his designs. He succeeds in making suits for men who don’t want to wear suits, and dresses for women who don’t like wearing dresses. He seduces them with his choice of fabrics and his tailoring. Fabrics and colours are very important for Dries Van Noten, who grew up in the world of textiles — at the age of sixteen he was already purchasing fabrics for his father’s clothing store. His fabrics are usually dyed and prewashed specially for him. He uses natural materials like silk and wool; he prefers fabric that doesn’t look too new; it should feel soft and look as if it has already been worn, as if the garments has been ‘broken in’. He experiments with textiles: obvious materials are replaced by something more transparent, heavier or lighter. Subtlety lies in the way the fabrics are used, one layer superimposed on another, and the combination of different materials.
A garment’s use may also be switched around: a jacket used as a shirt, and vice versa. The structure of the clothes is rarely emphasized and is subordinate to comfort and elegance. Dries Van Noten excels in the art of marrying opposites — simple with sophisticated, classical with inventive — whilst still ensuring the reputation of certain traditions. He tends to see himself as a tailor. 

dekonstruktivisme:

Dries Van Noten spring—summer 1999.

It is unusual for a designer to be famed for his men’s and women’s collections alike, but Dries Van Noten is just that. His designs take all types of men and women into account. Be they tall or short, plump or slender, they will find something to their liking in his designs. He succeeds in making suits for men who don’t want to wear suits, and dresses for women who don’t like wearing dresses. He seduces them with his choice of fabrics and his tailoring. Fabrics and colours are very important for Dries Van Noten, who grew up in the world of textiles — at the age of sixteen he was already purchasing fabrics for his father’s clothing store. His fabrics are usually dyed and prewashed specially for him. He uses natural materials like silk and wool; he prefers fabric that doesn’t look too new; it should feel soft and look as if it has already been worn, as if the garments has been ‘broken in’. He experiments with textiles: obvious materials are replaced by something more transparent, heavier or lighter. Subtlety lies in the way the fabrics are used, one layer superimposed on another, and the combination of different materials.

A garment’s use may also be switched around: a jacket used as a shirt, and vice versa. The structure of the clothes is rarely emphasized and is subordinate to comfort and elegance. Dries Van Noten excels in the art of marrying opposites — simple with sophisticated, classical with inventive — whilst still ensuring the reputation of certain traditions. He tends to see himself as a tailor. 

Anonymous asks: Why do you hate banksy so much?

Think outside the box, collapse the box, and take a fucking sharp knife to it.


Josh Schweitzer, Circa 1990

Josh Schweitzer, Circa 1990

(Source: wildstag)

Teachers are often unaware of the gender distribution of talk in their classrooms. They usually consider that they give equal amounts of attention to girls and boys, and it is only when they make a tape recording that they realize that boys are dominating the interactions. Dale Spender, an Australian feminist who has been a strong advocate of female rights in this area, noted that teachers who tried to restore the balance by deliberately ‘favouring’ the girls were astounded to find that despite their efforts they continued to devote more time to the boys in their classrooms. Another study reported that a male science teacher who managed to create an atmosphere in which girls and boys contributed more equally to discussion felt that he was devoting 90 per cent of his attention to the girls. And so did his male pupils. They complained vociferously that the girls were getting too much talking time.

In other public contexts, too, such as seminars and debates, when women and men are deliberately given an equal amount of the highly valued talking time, there is often a perception that they are getting more than their fair share. Dale Spender explains this as follows:

“The talkativeness of women has been gauged in comparison not with men but with silence. Women have not been judged on the grounds of whether they talk more than men, but of whether they talk more than silent women.”

In other words, if women talk at all, this may be perceived as ‘too much’ by men who expect them to provide a silent, decorative background in many social contexts.

tommybruce:

The light that comes into my room through my windows every night
2014

tommybruce:

The light that comes into my room through my windows every night

2014